摘要
该文从小、中、大三个尺度选取马歇尔·拉尤斯·布劳耶在家具、住宅、公共建筑等不同尺度空间的设计作品,以其标志性的“极简”形式与复杂性内核为主线,围绕看似矛盾的两要素探讨其作为“空间雕塑家”独特的设计哲学,进一步探索这位包豪斯最早的毕业生如何发扬而又革新包豪斯思潮,从而为当下建筑学发展提供思考。
From three aspects of small-scale,mesoscale and large-scale,we select Marcel Lajos Breuer’s design works of different scale spaces in furniture,housing and public buildings.With his signature"minimalist"form and complex core as the main line,we discuss his unique design philosophy as a"space sculptor"around these seemingly contradictory two elements,and further explore how he developed and innovated Bauhaus thought as one of the earliest graduates,so as to provide some thinking for the present architecture development.
作者
成玲萱
王洪羿
Chen Lingxuan;Wang Hongyi
出处
《华中建筑》
2022年第4期16-21,共6页
Huazhong Architecture
