摘要
"诗笔"叙事演进与传统叙事诗发展密切相关,亦是推动赋与不同文体交互的重要契机。"诗笔"叙事作为一种书写笔法,"以诗为体"的叙事属性决定其区别于"文笔""史笔"的语体特征与表达范式,且在特定文化氛围下,于早期叙事诗文本中有消融与转移之势。汉初,"诗笔"叙事入赋,汉赋始盛并将赋体铺陈推向高峰;汉末,大赋式微,"诗笔"叙事借由文体交互从赋体转出且"多途取道":"以赋为文""以赋为诗""赋入戏剧""赋入小说",实现赋与不同文体的交融互渗。"诗笔"叙事入赋体,转移了早期叙事诗文本的发展空间,从赋体转出则分化了叙事诗体的发展方向。
The evolution of poetic narration is closely related to the development of traditional narra-tive poetry, and it is also an important opportunity to promote the interaction between Fu and the other lit-erary styles. As a writing style, the narrative attribute of the “poetic style” differentiates its stylistic fea-tures and expression paradigm from the “literary style” and the “historical style”, and, under certaincultural atmosphere, it tends to dissolve and transfer in early narrative poetry texts. In the early WesternHan Dynasty, poetic narration began to be embedded into Fu literature and pushed the Fu style to thepeak. At the end of the Han dynasty, as Fu literature declined, the poetic narration shifted out of the Futhrough the interaction of styles and spread into prose, poetry, drama, fiction and other literary genres,and realized the fusion and mutual infiltration of Fu and other styles. The embedding of poetry narrationinto the Fu literature shifted the development space of the early narrative poetry text, and its diversionfrom the Fu literature has differentiated the development direction of narrative poetry.
作者
孙敏强
吴雪美
SUN Minqiang;WU Xuemei
出处
《福建师范大学学报（哲学社会科学版）》
CSSCI
2022年第1期132-141,172,共11页
Journal of Fujian Normal University:Philosophy and Social Sciences Edition
基金
国家社会科学基金重大项目“历代赋论整理研究”(19ZD249)。
