摘要
本文从"观物取象"这一来自《易传》的经典论题的入手,分析其中象、物、观等关键词的内在含义,揭示象征这一古老的掌握世界的思维方式的内在机制,及其在物的理解中包含的观念因素。作者通过对物与器、实用物与象征物、社会象征与精神象征以及精神象征中直觉与联想等多层次的区分,勾勒出一种关于物的谱系式图景。在此基础上,以纪念品与文物为联想式象征的例子,描述人类生活经验及由此产生的历史意识,如何借对物的观照丰富我们的精神生活。同时,透过若干经典文物的思考,展示精神之"物"可能的广度与深度。世界是由物构成的,人既是物的一部分,也具超越物的因素,那就是心的存在。心物不离,正是世界获得意义的奥秘所在。
This paper,starting with the classic proposition of"drawing imagery by observing matter"from Commentaries on the Book of Changes,analyzes the connotations of such key concepts as imagery,matter,and observation and reveals the internal mechanism of this ancient way of thinking about the world and the conceptual factors contained in understanding matter.The present author outlines a genealogical picture of matter through multi-level distinction between matter and implements,practical matter and symbolic matter,social symbols and spiritual symbols,and intuition and association in spiritual symbols.On this basis,taking memorabilia and cultural relics as associative symbols,this paper describes the experience of human life and consequent historical consciousness,as well as how to enrich our spiritual lives by observing matter.At the same time,by examining some classic cultural relics,it demonstrates the possible breadth and depth of spiritual"matter."
作者
陈少明
Zhu Yuan
Chen Shaoming;Zhu Yuan(Department of Philosophy at Sun Yat-sen University;the School of Foreign Languages at Renmin University of China)
出处
《孔学堂》
CSSCI
2021年第4期56-65,V0066-V0076,共21页
Confucian Academy
关键词
观物取象
象征
文物
精神
drawing imagery by observing matter
symbols
cultural relics
spirit
