摘要
云冈石窟作为中国重要的佛教艺术和民族文化,历经千年之久仍在中原地区散发着熠熠光彩,云冈石窟的雕塑艺术不仅是中华民族的艺术瑰宝,也是世界雕塑艺术史上一颗璀璨的明珠。这样一座宏伟久远的艺术石窟不是个人的艺术,而是一种集体潜意识的造化。荣格的“集体潜意识”理论,对于云冈石窟雕塑这样的地域艺术研究其文化价值、民族精神提供了理论依据。本文针对石窟雕塑的建造阶段、形式特点和文化审美价值等内容为中心,从集体潜意识的心理学角度切入,来探究云冈石窟的雕塑造像内涵,从另一个角度来探讨这一宝贵的雕塑艺术。
Yungang Grottoes,as an important Buddhist art and national culture in China,is still shining in the Central Plains after thousands of years.The sculpture art of Yungang Grottoes is not only the artistic treasure of the Chinese nation but also a bright pearl in the art history of sculpture in the world.Such a grand ancient art grotto is not a personal art,but a collective subconscious fate.Jung's“collective subconscious”theory provides a theoretical basis for the study of regional art such as Yungang Grottoes sculpture on its cultural value and profound national spirit.This paper focuses on the construction stage,form characteristics and cultural aesthetic value of grotto sculpture,and explores the connotation of yungang Grottoes sculpture from the psychological perspective of collective subconscious,and discusses this precious sculpture art from another perspective.
作者
唐娜
Tang Na(Jingdezhen Ceramic University,Jingdezhen 333000)
出处
《江苏陶瓷》
CAS
2022年第1期22-24,共3页
Jiangsu Ceramics
关键词
云冈石窟
雕塑
集体潜意识
原型
Yungang Grottoes
Sculpture
Collective subconscious
The prototype
