摘要
两岸迁徙是表现海峡两岸关系的重要电影题材之一,将个人、家园与国家叙事紧密结合在一起,其数量之多、历时之长、叙述之丰富,已经构成了一个作品序列。以往研究较关注台湾地区的电影作者和作品,忽略了大陆地区的相关创作。2000年以来,在新的历史条件下大陆地区创作和拍摄更多以两岸迁徙为电影题材的新作品,通过家国共同体、情感共同体以及文化共同体完成共同体叙事,实现观众与电影之间的共同体美学建构。但另一方面,两岸迁徙题材电影也存在着故事套路模式化、叙述过于生硬、情感缺乏共通性等问题,因此,如何实现电影故事在两岸观众情感上的强烈共鸣,特别是抓住两岸年轻观众的需求,从而实现两岸故事的最终艺术价值和社会意义,仍然是两岸迁徙题材电影创作必须关注的。
Cross-strait migration is one of the important movie themes to show the relationship between the mainland and Taiwan,for it combines individuals and their homes with national narratives and yields a series of movies that are large in number,long in duration and rich in narration.However,the past research was more concerned about Taiwan producers and works,and neglected those from China's Mainland.Since 2000,the mainland has created and photographed more new works with the theme under the new historical conditions,done the community narration by means of home-nation community,emotional community and cultural community and succeeded in building then an aesthetic community of audience and film.On the other hand,these films were also characterized by cliche plots,flawed narration,stilted emotional appeals,etc.Therefore,how to make the films resonate among on audience,especially the young,across the Strait so as to bring out the ultimate artistic value and social significance of cross-strait stories is still what cross-strait migration movies are faced with.
作者
刘云舟
林筠
Liu Yunzhou;Lin Yun(Fujian Normal University, Fuzhou 350108;Tan Kah Kee College, Xiamen University, Xiamen 363105, China)
出处
《江苏大学学报（社会科学版）》
CSSCI
2022年第2期81-90,共10页
Journal of Jiangsu University(Social Science Edition)
基金
福建省教育厅中青年教师教育科研项目(社科类)(JAS20502)。
关键词
海峡两岸
迁徙题材
家国共同体
情感共同体
文化共同体
共同体叙事
both sides of the Taiwan Straits
cross-strait migration films
home-country community
emotional community
cultural community
community narration
