摘要
1928年"无产阶级革命文学论争"爆发到新中国成立前,中国艺术哲学或文艺理论的建设状况及基本思想如何是一个值得探索的理论空白。本文以钱歌川《文艺概论》、俞寄凡《艺术概论》、向培良《艺术通论》和本时期的多种《文学概论》为历史坐标,通过对这些读者难以一见的历史资料的查考爬疏,分析阐述这个时期人们对文艺的审美特征及各种门类艺术特征认识和深化过程,以及人们对民族、民主革命任务面前艺术的自律和艺术为社会使命服务的他律之间关系问题的认知,以期为我们把握这个时期文艺理论的建设状况和主要观点提供参考。
From the outbreak of the "Proletarian Revolutionary Literary Controversy" in 1928 to the founding of the People’s Republic of China,the theoretical gap between the construction of Chinese art philosophy or literary theory and its basic ideas is worth exploring.In this paper,the author uses Wen Yi Gai Lun,written by Qian Gechuan;Yi Shu Gai Lun written by Yu Jifan;Yi Shu Tong Lun written by Xiang Peiliang and a variety of Wen Xue Gai Lun of this period as historical coordinates.Through the examination and organization of these historical materials,which are rarely available to the readers,the research aims to analyze and explain the process of understanding and deepening the aesthetic characteristics of literature and the characteristics of various types of art in this period,as well as people’s consciousness of the relationship between the the autonomic arts in the face of the national and democratic revolutionary tasks and the heteronomous arts in the service of social missions.By doing so,this paper can provide a reference for readers to grasp the construction status and main views of the theory of literary during this period.
出处
《中国政法大学学报》
CSSCI
2022年第1期266-277,共12页
Journal Of CUPL
基金
国家社科基金后期资助项目“中国现当代美学史”(16FZW052)的部分成果。
