摘要
海洋文化因素是香港早期新文学中的一个“显性”的、“弥漫”性的存在。香港早期新文学涉海题材作品数量众多,普遍存在于小说、散文、诗歌、戏剧各类文体当中。这种“亲海性”是内地同时期文学作品所鲜见的。香港早期新文学中的海洋书写呈现出相当复杂的审美内涵:一方面延展了内地左翼文学带有“阶级斗争”、“无产阶级”等革命意识形态的文学观念,具有“理念化”的书写特征;另一方面具有多维的抒情品格,既有本土作家在书写中注入的亲密无间的感情,亦有外来者所感受到的异文化审美质素,同时更多地裹挟了家国变动在内心投射的创痛情绪;最为独特的是香港早期新文学的海洋书写具有一种日常化的品格,它与居民的交通、娱乐、住宿等现实中的生活情状“胶着”在一起,并在殖民统治下呈现出多重迥异的海洋文化空间。香港早期新文学中的海洋书写构成了香港新文学的独特肌理,它或者是我们进入香港文学的新的“入口”,潜在的通道。
Factors of ocean culture are the existence of dominance and discursiveness in early new literature in Hong Kong,in which works on ocean abound,prevalent in such genres as fiction,essays,poetry and plays,something rarely seen in the mainland literature in the same period.This ocean writing of the early new literature in Hong Kong has rather complex aesthetic contents.On one hand,it is characterized by being conceptual as it extends such literary concepts of revolutionary ideology as class struggle and proletarianism in the leftwing literature on the mainland,and,on the other hand,it has a lyrical multiplicity as there are local writers who put in close emotions in their writing and also writers from outside the city who felt about the aesthetic qualities of an alien culture while,at the same time,carrying with them the painful sentiments reflected internally as a result of changes in their home country.Most uniquely,this ocean writing in Hong Kong has a quality of quotidianness that sticks together with the real life of people such as traffic,entertainment and accommodation,showing a space of oceanic culture of multiplicity under the colonial government.The ocean writing in the early new literature in Hong Kong is part of its unique texture as it may have already formed a new entrance to Hong Kong literature,a hidden passageway.
出处
《华文文学》
2022年第1期35-47,共13页
Literatures in Chinese
基金
国家社科基金项目“文化地理学视域下的香港文学与岭南文化关系研究”,项目编号:20BZW156。
关键词
香港早期新文学
海洋文化
理念化
抒情
日常化
Early new literature in Hong Kong
oceanic culture
conceptualization
lyricism
quotidianness
