摘要
电视剧《大江大河2》,完整细致地展示了20世纪90年代宋运辉、雷东宝、杨巡三位主人公在市场经济浪潮冲击下的不同命运走向。一方面,作为一部具有史诗性质的当代影视作品,剧中人物的命运是他们各自性格与社会历史规律之间矛盾作用的结果。另一方面,电视剧的大众文化品格使得编剧塑造人物、构筑情节都不可避免地融入约定俗成的艺术套路,三位主角的部分命运与中国古典文艺叙事呈现出高度的雷同性。正是纪实与虚构、传统与当代等多样创作立场的并存,塑造出新时代中国特色社会主义语境下人民群众喜闻乐见的艺术典型。
Compared with its predecessor,the TV series Great Rivers 2 fully and meticulously shows the different fates of Song Yunhui,Lei Dongbao and Yang Xun under the impact of the wave of market economy in the 1990s.As a film and television work with the nature of contemporary epic,the fate of the characters in the play is the result of the contradiction between their respective personalities and the laws of social history.On the other hand,the popular cultural character of TV series makes the writers inevitably integrate the characters and plots into the established artistic routines,and the fate of the three protagonists is highly similar to that of Chinese classical literature and art narration.It is the coexistence of documentary and fictional,traditional and contemporary creative positions,which creates an artistic model loved by the people in the context of socialism with Chinese characteristics in the new era.
作者
阎方正
王方好
YAN Fang-zheng;WANG Fang-hao
出处
《民族艺林》
2022年第1期90-97,共8页
Journal of Ethnic Art
基金
合肥市哲学社会科学规划项目“安徽抗战戏剧研究”(项目编号:HFSKQN202133)阶段性成果。
关键词
《大江大河2》
古典叙事
模式
献礼剧
命运设置
Great Rivers 2
classical narrative
mode
tribute TV series
destiny setting
