摘要
本文首先盘点后人类理论的源流和研究现状,继而对后人类、后人类理论和后人文主义三个术语做出界定和辨析,提出后人类是想象性符号表征,后人类理论是后人类主体形象所引发理论话语的总称,后人文主义是后人类理论的理论立场之一,三个术语在概念结构上具有层级差异。本文第三部分提出,经过20余年的发展,后人类理论已由深受后结构主义-后现代主义影响的批判理论发展成一种别具特色的主体性诗学,创造出一系列后人类主体形象,包括赛博格主体、生命-佐伊主体、行动网络主体,体现出主体观由内在实体性向想象表征性、封闭自律性向开放中介性、同质单义性向异质多义性、我向静观性向他向矢量性的一系列转变,同时也反映出当下学术界积极建构的理论取向和不负当下的政治抱负。
The present article is an intensive study into posthuman theory,a popular discourse in current theoretical landscape.After an attempt at defining such terms as the posthuman,posthuman theory and posthumanism,the article proposes that the three terms are different conceptual nodes on different hierarchies.After over 20 years of development,posthuman theory has evolved from a critical discourse heavily influenced by post-structuralist and post-modernist theories to one that is more focused on the creation of new subject images.With the proposal of such new subject images as the cyborg subject,the zoe subject,and the actor-network subject,posthuman theory taps into the entanglement and merging of different factors in the process of subject construction and proclaims itself as a poetics of subjectivity.
出处
《文化研究》
2021年第2期241-255,共15页
Cultural Studies
基金
国家社科基金重大项目“西方美学经典及其中国传播接受的比较文献学研究”(项目编号:17ZDA021)的阶段性成果。
