摘要
近百年来中国书画风靡全球,一方面它代表着天人合一的至高境界,另一方面也是国家实力日益强盛的象征。在历代中国书画中齐白石作品已成为国际上普遍认可的"硬通货"。以日本京都国立博物馆收藏的齐白石作品为例,从藏品来源到馆方对其进行的一系列保存、修复、展览、研究、教育等活动,一定程度上体现了中国书画在海外传播的真实状态。
For the past century, Chinese painting and calligraphy has enjoyed popularity all over the world. On the one hand, it represents the supreme state of the unity of man and nature in human civilization, on the other hand, it also symbolizes that China is now increasingly powerful and prosperous. Throughout the ages, Qi Baishi’s works of Chinese painting and calligraphy have been recognized as “hard currency” in the international community. Taking Qi Baishi’s works collected in the Kyoto National Museum, Japan, China’s neighbouring country as an example, this paper presents the genuine status of Chinese calligraphy and painting in overseas dissemination from the source of collections to a number of activities of the museum, such as preservation, restoration, exhibition, research and education.
作者
陈雅婧
CHEN Ya-jing(School of Qi Baishi Arts,Hunan University of Science and Technology,Xiangtan 411210,China)
出处
《湖南科技大学学报（社会科学版）》
CSSCI
北大核心
2022年第1期162-168,共7页
Journal of Hunan University of Science and Technology(Social Science Edition)
基金
湖南省哲学社会科学基金青年项目(19YBQ051)。
关键词
京都国立博物馆
齐白石
中国书画
海外传播
文化软实力
Kyoto National Museum of Japan
Qi Baishi
Chinese painting and calligraphy
overseas dissemination
cultural soft power
