摘要
诗人波德莱尔是后期本雅明的主要研究对象之一。在《拱廊街工程》等作品中,本雅明着重关注波德莱尔的诗歌写作在发达资本主义时代的特殊形态。从本雅明早年的重要概念“讽喻”入手,我们可以清晰地看到波德莱尔的诗歌与现代都市、商品世界之间的关系。在波德莱尔的诗歌写作里,非同一的物的世界、商品世界改变了传统抒情诗的生存语境和文本形态。现代诗歌转变为现代都市的讽喻,消解了诗歌的整体性、有机性幻象,呈现为作为辩证影像的碎片世界。
The poet Baudelaire was one of the main objects of late Benjamin’s thought.In works such as The Arcades Project,Benjamin focuses on the particular pattern of Baudelaire’s poetry in the era of high capitalism.Considering from Benjamin’s early concept of‘allegory’,we can clearly see the relationship between Baudelaire’s poetry and the modern urban and commodity world.In Baudelaire’s poetry,the non-identical world of objects and commodities has changed the context and textual form of traditional lyric poetry.Modern poetry is transformed into a allegory of the modern city,dissolving the holistic,organic illusion of poetry and presenting it as a world of fragments as dialectical images.
出处
《文化研究》
2021年第3期22-29,共8页
Cultural Studies
关键词
本雅明
波德莱尔
讽喻
现代诗
Benjamin
Baudelaire
Allegory
Modern
Poetry
