摘要
洛谢夫哲学是现象学辩证法的哲学,而音乐哲学是其艺术哲学和美学的重要组成部分。在古希腊哲学理念和俄罗斯精神文化传统的背景下,洛谢夫发展出独特的音乐现象学理论。在《作为逻辑对象的音乐》中,洛谢夫既把音乐作为表现存在意义的形式和理解存在意义的方法,同时又把非逻辑的音乐作为逻辑对象进行研究,用"纯粹的音乐存在"取代了普遍认知中的"纯粹的音乐经验",并借助数和时间等概念对其本质进行逻辑分析,体现出与现代性的紧密联系。
Losev’s philosophy of music is an important part of his artistic philosophy and aesthetics.Based on ancient Greek philosophy ideas and in the background of Russian spiritualcultural tradition,Losev developed a unique phenomenology of music philosophy.In his work Music as the Object of Logic,not only did he see music as a form of expression of existence and a way of understanding the meaning of existence,but he also studied non-logical music as a logical object.Proposing substituting the idea of “pure musical experience” for the “pure musical existence” in general cognition,he made a logical analysis of essence of music with the help of concepts of number and time,all of which reflect the close relationship with modernity.
出处
《俄罗斯文艺》
CSSCI
2022年第1期19-27,共9页
Russian Literature & Arts
基金
国家社科基金一般项目“洛谢夫人文思想的宏大叙事及其宗教精神研究”(18BWW038)
教育部人文社科重点基地重大项目“巴赫金理论视域下的中国小说文本研究”(19JJD750004)阶段性成果。
