摘要
从文学活动的几个环节入手考察,当代文学批评的三阶段——新中国成立十七年时期、八十年代和九十年代以来——某种程度上对应着从作者导向批评、作品导向批评到批评家导向批评模式的转换。这样一种演变情况表明,文学批评并不是知识生产,而应该是作者、作品、读者和世界等各个环节之间关系的体现。当代文学批评实践中始终存在着的"批评过剩"现象,正可以看成是文学批评缺席的表现;但若从现代性的双重性的角度看,"批评过剩"现象又有其存在的必要性。某种程度上,文学批评的有效性正体现在两者间平衡关系的把握中。
From the perspective of several links of literary activities, the three stages of contemporary literary criticism: the seventeen years after the founding of the People’s Republic of China, the eighties and the nineties, correspond to the transformation from author-oriented criticism, work-oriented criticism to critical-oriented criticism to some extent. Such an evolution shows that Literary criticism is not the production of knowledge, but the embodiment of the relationship between the author, the work, the reader and the world.The phenomenon of “Excessive criticism” always exists in the practice of contemporary literary criticism can be regarded as the absence of literary criticism. But from the point of view of the duality of modernity, the phenomenon of “Excessive criticism” has its necessity. To some extent, the validity of literary criticism lies in the balance between them.
出处
《南京社会科学》
CSSCI
北大核心
2022年第1期117-127,共11页
Nanjing Journal of Social Sciences
基金
国家社科基金重大项目“新时代中国特色文艺理论基本问题研究”(18VXK007)的阶段性成果。
关键词
文学批评
阶段性演变
批评过剩现象
literary criticism
the periodical evolution
excessive criticism
