摘要
作为民国新知识界"眼光向下的革命"的重要成果,顾颉刚的吴歌研究历来被视为歌谣运动中的学术经典。顾颉刚的吴歌研究勾勒出从歌谣采集、整理到研究、实践的完整图景,因此得以呈现出这一学术形态的内部逻辑及其限度。民国新知识界在以民间歌谣重构新文化的同时,歌谣亦反过来被这种新文化的想象所界定。在"学术"与"运动"交叠的脉络中进入学术版图的民间文学,肇始之初即蕴含着"民间"与"民族"的双重面向,两者的互动与张力则构成早期歌谣学与民俗学实践的话语动力。在学术史的视野下重新反思顾颉刚的吴歌研究,不仅可以深化对顾颉刚民俗研究本身的理解,而且能够为民国歌谣学乃至民俗学史的讨论提供新的线索。
Asa notable achievement of the Downward-sighted Revolution in the Republic of China(1912-1949),Gu Jiegang’s study of Wuge(folksongs in the Wu district)has always been regarded as the classic of the Ballad Movement.Gu Jiegang’s research on Wuge has delineated a complete picture from ballads collecting to research practice,thus representing the internal logic and limits of this academic paradigm.When the intellectuals managed to reconstruct the new culture with folksongs,the songs are also defined by the imagination of this new culture.In the context of the overlapping of “the academic” and “the movement”,the discipline of folk literature emerges with the dual orientation of “folk” and “nation” at the very beginning,so that the theoretical basis of the early practice of folklore studies has been formed by their interaction and tension.Rethinking Gu Jiegang’s research on Wuge from the perspective of academic history can not only help to deepen the understanding of Gu Jiegang’s folklore research itself,but also provide new clues for the discussion of the history of folklore as a modern academic discipline.
出处
《民俗研究》
CSSCI
北大核心
2022年第1期109-118,158,159,共12页
Folklore Studies
基金
贵州省2020年度哲学社会科学规划国学单列课题“黔地歌谣的文献整理与活态传承研究”(项目编号:20GZGX21)的阶段性成果。
关键词
顾颉刚
《吴歌甲集》
歌谣运动
学术史
Gu Jiegang
Wuge jiaji(A First Collection of Songs from Wu)
the Ballad Movement
history of Chinese folklore studies
