摘要
现存元杂剧中有“父母之命”联姻情节的作品数量可观。“父母之命”的婚姻模式涉及双方的家庭关系和条件,更离不开家庭人物。在元杂剧作品中,这一情节模式的设计既是剧情发展的需要、剧作家自身状况的体现,也是当时社会环境的反映,有其独特的文化内涵。
In extant Yuan dramas,there are a considerable number of works whose plots involve marriage“arranged by parents’order”.This marriage pattern is related not only to family relationship and conditions of both parties but also to family figures.It is the need for plot development of Yuan dramas and is an interpretation of authors’personal situations and a reflection of social environment of the time as well,revealing specific cultural connotation.
作者
牛晓玲
NIU Xiaoling(Wenzhou University,Wenzhou 325000,China)
出处
《江苏工程职业技术学院学报》
2021年第4期54-58,共5页
Journal of Jiangsu College of Engineering and Technology
关键词
元杂剧
父母之命
情节模式
联姻
文化内涵
Yuan dramas
parents’order
plot pattern
unite in marriage
cultural connotation