摘要
苗族传统工艺是苗族民众日常生活的外化符号与社会发展的集体记忆。从原真性缺失、情感性减弱、本土特色丧失、文化基因丢失等几个方面分析了传统工艺转型发展中遇到的问题,并从雅化(提升审美品位)、教化(完善知识转化)、活化(实现产业发展)三方面提出了苗族传统工艺创新转化的路径。
The traditional crafts of the Miao ethnic group are the externalized symbols of the daily life of the Miao people and the collective memory of social development. The problems encountered in the transformation and development of traditional craftsmanship are analyzed from the aspects of lack of authenticity, weakened emotionality, loss of local characteristics, and loss of cultural genes.(Realize industrial development) Three aspects put forward the path of innovation and transformation of Miao traditional crafts.
作者
张红颖
周曼
ZHANG Hong-ying;ZHOU Man(School of Packaging Design Art,Hunan University of Technology,Zhuzhou,Hunan,412007)
基金
国家社科基金艺术学项目(编号:21BG135)
湖南省社科评审委员会项目(编号:XSP21YBZ090)
湖南省普通高校教学改革项目(编号:湘教通〔2019〕291号)。
关键词
苗族
传统工艺
雅化
教化
活化
Miao Ethnic Group
Traditional Crafts
Elegance
Enlightenment
Activation
