摘要
《聊斋全图》与《聊斋图说》是两套清代晚期的聊斋题材彩绘画册,篇幅卷帙浩繁,刻画精雅生动,对于研究《聊斋志异》的图像传播具有重要价值。本文在悉数整合现知资料的基础上,考察了关涉两套画册的三个问题。首先,从纪年藏款入手确定了《聊斋全图》的大致创作年代,是目前所见最早的聊斋题材画作,填补了自手稿本至《详注〈聊斋志异〉图咏》刊行百余年间的图像空白;其次,考辨了两场拍卖会上所出现两本题为《聊斋图说(第二册)》图册的真伪问题;最后,对“《聊斋图说》为慈禧六十岁寿礼”之说进行了反思与商榷。
Liao Zhai Quan Tu and Liao Zhai Tu Shuo are two sets of colored picture books of Liaozhai Zhiyi in late Qing dynasty,both of which are voluminous in length and vividly engraved,and are of great value for the study of the image dissemination about Liaozhai Zhiyi.Based on the integration of all the relevant information currently known,this paper discusses three issues concerning the two sets of picture books.Firstly,it determines the creation time of Liao Zhai Quan Tu from the hidden inscribe of years,which is the earliest painting about Liaozhai Zhiyii seen so far,and fills the image gap between the manuscript and Xiang Zhu Liaozhai Zhiyi Tu Yong for more than one hundred years;secondly,it identifies the authenticity of the two picture books titled Liao Zhai Tu Shuo Ⅱ that appeared in two auctions;finally,it reflect on and discuss the viewpoint that Liao Zhai Tu Shuo was the 60th birthday gift of Empress Dowager Cixi.
作者
许军杰
XU Jun-jie(School of Architecture,Central Academy of Fine Arts,Beijing 100102,China)
出处
《蒲松龄研究》
2021年第4期90-105,共16页
Study on Pu Songling
关键词
《聊斋全图》
《聊斋图说》
图像传播
纪年藏款
绘画风格
Liao Zhai Quan Tu
Liao Zhai Tu Shuo
image dissemination
hidden inscribe of years
painting style
