摘要
假山营造之“法”根植于审美认知,其生发受到社会文化环境的巨大影响。在初盛唐、中晚唐、北宋末年以及晚明四个历史时期,由于社会文化思潮的变迁,催生出新的自然观、哲学观与价值观,并通过审美观的更新使假山在营造体例与外部形态上产生了新的内容。但是,这些新思想的出现并非是对旧观念的简单取代,相反,新旧假山营造之“法”或以并行不悖的状态存在,或相互交融。就不同类型的古典园林而言,皇家宫苑与文人私园在掇山审美上时常表现为彼此借鉴、交替盛行,二者的互动使中国古典造园思想得到了良好传承。
The“philosophy”of rockery construction is rooted in aesthetic cognition,and its emergence is greatly affected by the social and cultural environment.In the historical stages of the early,middle and late Tang Dynasty,the late Northern Song Dynasty and the late Ming Dynasty,the changes of social and cultural thoughts gave birth to novel views on nature,philosophy and values.Meanwhile,the refreshed aesthetic view brought new construction style and external form to rockery.However,the emergence of the new thoughts does not mean the replacement of the old ones,but the coexistence or even fusion between the two.As for different types of classical gardens,the imperial gardens and the private gardens of literati often learned from each other and prevailed alternately in their rockery aesthetics.The interaction between the two makes the idea of Chinese classical gardening well inherited.
作者
刘祎平
LIU Yiping(Institute of County Economic Development,Lanzhou University,Lanzhou 730000,China)
出处
《同济大学学报（社会科学版）》
CSSCI
北大核心
2021年第6期43-53,共11页
Journal of Tongji University:Social Science Edition
关键词
中国古典园林
假山
法
变迁
Chinese classical gardens
rockery
principle
change
