摘要
古戏台研究自20世纪30年代以来,逐渐走入学界视野。对新中国成立后洛阳古戏台研究进行梳理可以看到,洛阳古戏台研究主要为个案研究和区域研究两个方面。从研究内容上看,有倾向于建筑声响学方面的研究;有通过戏台进行文化学阐释的研究,涉及碑刻、舞台题记、壁画、装饰等内容,运用宗教学、人类学、民俗学、考古学、建筑学、文化遗产保护等各学科专业理论知识进行综合研究阐释。整体来说,个案研究少,关于洛阳乃至中原戏台深入系统研究的专著尚无。
Since the 1930s,the study on traditional dramatic stage has gradually attracted academic attention.A review of the studies on the traditional dramatic stage in Luoyang since the founding of new China by referring to various documents reveals that the previous studies are mainly case studies and regional studies.As far as the research content is concerned,some studies are about architectural acoustics,some are cultural interpretations involving steles,stage inscriptions,murals,decoration and so on,and some are comprehensive interpretation using the theories of various disciplines such as religion,anthropology,folklore,archaeology,architecture and cultural heritage protection.On the whole,there are fewer case studies,and there is no monograph of in-depth and systematic study of the traditional dramatic stage in Luoyang and even in the Central Plains.
作者
常丽梅
Chang Limei(School of Music,Luoyang Normal University,Luoyang 471934,China)
出处
《洛阳师范学院学报》
2021年第12期24-27,共4页
Journal of Luoyang Normal University
基金
河南省哲学社会科学规划项目(2019BYS015)。
关键词
古戏台
洛阳
研究
保护
traditional dramatic stage
Luoyang
research
protection
