摘要
电影《同学麦娜丝》讲述了四位同学步入中年,在现实的生活中无可奈何地面对着人生的艰难的故事。在这个过程中,四个人的生命境遇和人生价值都出现了某种形式的断裂。这为影片的审美分析提供了空间。悲剧现代性属于悲剧的叙事范畴,在这个视角下对《同学麦娜丝》进行审美分析,可以理清电影文本中人物价值断裂的过程,以及在这个过程中所呈现出来的美学特征。逢迎顺势的添仔从理想主义者变成了利己主义者、认真执着的电风从经济的焦虑陷入了精神的困顿、孤独压抑的罐头从生理压抑沦为心理的崩盘、老实善良的闭结不仅失去话语权,甚至最终失去了生命权。悲剧现代性视野下的叙事分析,使影片中价值断裂过程所呈现的悲剧色彩逐渐清晰、鲜明,也为现代人观照现代生活提供了审美视角。
Classmates Minus tells the story of four classmates who are in their middle ages,but they still have to face the rough life.In this process,the four people’s life situation and life value all appeared some form of fracture,which provides space for the aesthetic analysis of the film.Tragic modernity belongs to the category of tragic narrative.From this perspective,the aesthetic analysis of Classmates Minus can clarify the process of character value rupture in the film text,as well as the aesthetic characteristics presented in this process.Tianzai,who flatters the trend,has changed from an idealist to an egoist while Dianfeng,who is serious and persistent,has fallen from economic anxiety to spiritual distress and Guantou,who is lonely and depressed,is reduced from physical depression to psychological collapse.The honest and kind John not only lost his right to speak,but also lost his right to live.The narrative analysis from the perspective of tragic modernity makes the tragic color presented in the process of value rupture clear and distinct,which also provides an aesthetic perspective for modern people to observe their modern life.
作者
徐立伟
XU Liwei(Zhejiang Sci-Tech University,Hangzhou,Zhejiang 310018,China)
出处
《龙岩学院学报》
2021年第6期62-67,80,共7页
Journal of Longyan University
基金
2022年度浙江省哲学社会科学规划年度课题“电影批评的‘美学观点和史学观点’理论与实践研究”(22NDJC079YB)
安徽大学大自然文学协同创新中心2021年度课题“《自然辩证法》生态美学思想研究”(ADZWP21-02)
浙江理工大学2019年教育教学改革研究重点项目“大学生审美教育的探索与实践———以浙江理工大学为例”(JGZD201908)
浙江理工大学科研启动基金项目“从政治的‘问题式’到人的‘问题式’———先锋小说叙事的文化研究”(18122260-Y)。
