摘要
1949年至1966年期间的中国作家出访日记是研究当时中外文化交流史的重要资料。叶圣陶、茅盾、巴金等中国作家的日记中,记录了一部分出境访问期间在影院等观影场所观看电影的经历,这些资料可成为电影文化史研究的一个着眼点。茅盾在访问苏联和波兰期间写下的日记呈现了“社会主义大家庭”语境下对文化交流和电影发展的认知;叶圣陶出访印度时写下的日记叙述了作家眼中的印度电影状况,并形成了中外电影文化对照的视野;巴金访问越南的日记则呈现了东南亚国家电影与中国的关联,是记录20世纪60年代亚洲文化交流的特殊文本。这些日记既分别表达了作家个人的写作风格,也共同建构了当代中外文化交流史中的“中国话语”。
The international visit diaries of Chinese writers from 1949 to 1966 are important historical materials for studying the history of cultural communication between China and other countries.The diaries of Ye Shengtao,Mao Dun,Ba Jin recorded experiences of film-viewing in cinemas and other places during their international visits.These materials provide a starting point for studies on film culture.Mao Dun’s diaries during his visits to USSR and Poland represented his cognition of cultural communication and film development in the context of“socialist family”.The diaries written by Ye Shengtao during his visit to India narrated the condition of Indian films from his point of view,and formed comparative perspectives on Chinese and foreign film cultures.Ba Jin’s diaries which recorded his visit to Vietnam showed the connection between the films of China and Vietnam,which were special texts recording the cultural communication in Asia in 1960s.These diaries express the writer’s personal style respectively,and participate in the construction of“Chinese discourse”in the history of contemporary cultural communication.
作者
张一玮
ZHANG Yiwei(Department of Chinese,Chinese Communication University,Beijing,100024,China)
出处
《成都师范学院学报》
2021年第11期86-93,共8页
Journal of Chengdu Normal University
基金
北京市社科研究课题“北京城市影院文化史研究(1905—2017)”(19YTB024)。
关键词
出访日记
国家形象
名人日记
茅盾
叶圣陶
巴金
中外文化交流
international visit diary
national images
diaries of celebrities
Mao Dun
Ye Shengtao
Ba Jin
cultural communication between China and other countries
