摘要
盘瓠神话进入吴越以后,融入了上巳节的祭鬼、寒食节的禁火、清明节的踏青以及西施范蠡泛舟太湖的传说,转型为蚕花节的核心意象马头娘,俗称马鸣菩萨,不仅显示了其巨大的本文开放性,而且拓展了文化空间,显示了强大的文本叙事性。
When Panhu myth entered the state of Wu and the state of Yue,it was integrated with the ghost sacrifice of Shangsi Festival,the fire ban of Cold Food Festival,the outing of Qingming Festival and the legend of Xishi and Fan Li boating on Taihu Lake,moreover,it was transformed into the core image of Silkworm Flower Festival,Ma Touniang,commonly known as Maming Bodhisattva,which not only showed the great openness of text,but also expanded the cultural space and revealed a strong text narrative.
作者
马明奎
MA Mingkui(School of Humanities,Huzhou University,Huzhou 313000,China)
出处
《湖州师范学院学报》
2021年第11期26-30,共5页
Journal of Huzhou University
基金
国家社科基金项目“生态叙事的本体性研究”(18BZW031)阶段性成果之一。
关键词
盘瓠
蚕神
西施
马鸣菩萨
本文开放性
文本叙事性
Panhu
Silkworm God
Xi Shi
Maming Bodhisattva
text openness
text narrative
