摘要
古希腊神话体系中存在一些混合型半神形象,体现了早期人类的人格化造物心理定向。作为各种观念拼合的产物,半兽半人的人物形象在视觉化再现过程中也不断发生“变形”,其寓意性和象征性都出现了更迭与衍化。其中,早期有着人类体态特征的驴耳马尾的萨提群体,其形象衍化最终脱离神话原型,与稍晚出现的“潘神”形象融合且固定下来,成为西方艺术领域中一个典型性寓意形象。探溯半神萨提群体的内在寓意及外在形态的转型过程,不难发现文艺复兴时期人文领域和视觉艺术领域所提供的文学资源和图像方案深刻影响了这一进程。当时的人文主义者们重新整理、诠释古代知识来源的同时,也藉由萨提形象的象征性阐释与视觉化重构,探索人类“内在自我”与外部世界的关系,完成了观念层面的现代性变迁。
The existence of hybrid demigods in the ancient Greek mythological system reflects the psychological orientation of the early human personification of creation.As a result of this amalgamation of ideas,these halfanimal,half-human figures were constantly"transformed"in the process of visualization and reproduction,resulting in a change and derivation of their primarily allegorical and symbolic nature.Among them,the early group of satyrs with human physiognomy,characterized by donkey ears and horses'tails,and whose image eventually broke away from the mythological prototype,merged and fixed with the image of Pan,which only appeared later,thus turning into a typical allegorical image in the Western art field.By tracing the transformation process of the inner meaning and outer form of the satyr figure,it is not difficult to find that the literary resources and image schemes provided by the culture and visual arts of the Renaissance have profoundly affected this process.While reorganizing and interpreting sources of ancient knowledge,the humanists at that time also explored the relationship between the human"inner self"and the external world through the symbolic interpretation and visual reconstruction of the image of the satyr,thus completing the figure's transition to modernization.
出处
《艺术探索》
CSSCI
2021年第5期15-27,共13页
Arts Exploration
基金
2017年度广西艺术学院高层次人才科研启动经费项目“西方美术中的寓意艺术”(GCRC201707)
受漓江画派民族艺术与创作研究中心资助。
关键词
萨提神
图像志
象征性
寓意资源
Satyr
Iconography
Symbolism
Allegorical resources
