摘要
本文从导演视角研究舞台上与书斋里的莎士比亚,试图还原十六世纪英国环球剧院莎士比亚戏剧创作演出运作实况,回归古代剧场,再现演员与观众的互动,揭示莎士比亚戏剧的原始活力与成功的具体因素,以期待我们可以更为真实地享受莎士比亚,而不只是敬畏、崇拜他,并期待对中国目前的话剧演出有所启发。另外,也从此视角审视理论家,学者,思想家,戏剧评论家与文艺批评家们书斋里的莎士比亚的功能与影响,贡献与局限。以排练、演出《莎士比亚之夜》导演的亲身经历展示莎士比亚戏剧的现场表演的种种奥秘,期待对中国莎士比亚戏剧研究能够有所启示。
This paper studies Shakespeare on the stage and in the study from the director's perspective,trying to restore the operation of Shakespeare's drama creation and performance in the British Globe Theatre in the 16th century,to return to the ancient theater,to reproduce the interaction between actors and audience,and reveal Shakespeare’s original vitality and the specific factors of success,so that we can more truly enjoy Shakespeare,not just revere or worship him;and hopefully,it will inspire China’s current drama performance.And from this perspective,this paper will examine the function,influence,contribution,and limitation of Shakespeare in the study of theorists,scholars,thinkers,drama critics,and literary critics.The writer of this paper is a director of STNT Shakespeare Theater Society of Henan Normal University and has much large-scale performance experiences.This paper will show the mysteries of the live performance of Shakespeare's drama through the personal experience of the director who rehearses and performs Shakespeare’s Night Fever,hoping to give some enlightenment to the study of Shakespeare's drama in China.
关键词
文本剧本
舞台演出
导演视角
差异
play-script
stage performance
director’s perspective
the difference
