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浅谈具象人物油画在釉上陶瓷表现研究 被引量:1

On the performance of figurative figure oil painting in overglaze ceramics
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摘要 具象人物油画从古典主义时期开始,在传承和发展的岁月里饱受沉浮,在当代多元化艺术中,具象人物油画在陶瓷釉上彩中表现,两者结合到一起,实现了复兴与蜕变。自出现以来,以其独特的工艺、丰富的装饰语言和深刻的文化内涵赢得了大众的喜爱,在陶瓷装饰艺术中占据了一席之地,其强大的艺术生命力蕴含了深厚的名族文化性。本文通过研究当代陶瓷具象人物油画的特征及表现形式,探讨青年陶瓷艺术工作者如何坚守传统、力求创新,走出自己的艺术风格,推进当代陶瓷艺术的发展,实现陶瓷艺术的百花齐放。 Figurative figure oil painting has suffered ups and downs in the years of inheritance and development since the classical period.In contemporary diversified art,figurative figure oil painting is expressed in ceramic overglaze color.The two are combined to realize the revival and transformation.Since its emergence,it has won the love of the public with its unique technology,rich decorative language and profound cultural connotation.It occupies an important position in ceramic decorative art.Its strong artistic vitality contains profound national culture.By studying the characteristics and manifestations of contemporary ceramic figurative figure oil painting,this paper discusses how young ceramic artists stick to the tradition,strive for innovation,go out of their own artistic style,promote contemporary ceramic figurative figure oil painting,and realize the blooming of ceramic art.
作者 周乐斯 Zhou Lesi(Jingdezhen University,Jingdezhen,Jiangxi,333000)
机构地区 景德镇学院
出处 《陶瓷研究》 2021年第5期145-147,共3页 Ceramic Studies
关键词 具象 人物油画 釉上彩 concrete Figure painting Overglaze
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参考文献2

  • 1白明编著..世界现代陶艺概览[M].南昌:江西美术出版社,1999:268.
  • 2冯杰编著,毛翼等摄影..瓷上肖像画技法[M].南昌:江西美术出版社,1995:136.

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