摘要
帕慕克创作了包括小说《纯真博物馆》、实体博物馆、目录文本《纯真物品》和电影《纯真记忆》在内的四件作品,构成了"博物馆系列"。在这系列中,帕慕克首先在小说中利用传统小说的叙事优势,讲述了一个融爱情和物品为一体的别致故事,构建了一个故事内核。其它三个随后出现的文本,则在互文性引用内核元素的基础上,分别利用实物、图片、文字、摄影等媒介形式延展了物品叙事和城市叙事。借由互文和延展,帕慕克最终构建了"博物馆系列"这一跨媒介故事世界。这种新颖独特的尝试,一方面凸显出帕慕克文学创作的多样性和丰富性,另一方面,也为跨媒介叙事领域的研究提供了新的范本。
Orhan Pamuk created a"Museum Series"composed of four pieces of creative work,including the novel,The Innocence of Museum,the museum itself,the catalogue,The Innocence of Objects,and the movie,The Innocence of Memories.In this series,Pamuk first takes advantage of the traditional novel’s narrative mode to tell a unique story that integrates love and objects and sets such an integration up as its story core.The other three parts,which appeared subsequently,extended the storytelling about objects and city respectively,using various media,such as objects,pictures,words,and cinematography,based on the exploration of intertextuality and the core of the story.By means of intertextuality and extension,Pamuk eventually constructed a transmedia storyworld in the"Museum Series."Such a new and original experiment accentuates the diverseness and richness in Pamuk’s literary writing on the one hand and,on the other,provides us with new exemplary texts for the studies in transmedia storytelling.
作者
朱春发
Zhu Chunfa(School of International Communication,Communication University of Zhejiang)
出处
《外国文学研究》
CSSCI
北大核心
2021年第5期117-126,共10页
Foreign Literature Studies
关键词
帕慕克
“博物馆系列”
跨媒介叙事
互文
延展
Pamuk
"Museum Series"
transmedia storytelling
intertextuality
extension
