摘要
由于写作内部分工以及目标读者分类的需要,当代长篇小说不可避免地表现出文学要素相同、叙事模式一致的类型化写作特点。文学的进步往往从反类型化开始,近几年出版的长篇小说《繁花》《无愁河的浪荡汉子·八年》《西南边》三部作品,以其丰腴的肌理、丰富复杂的人物群像、丰润充盈的生命观、丰硕的知识创新、丰饶的艺术表现力,创造了引人入胜的丰赡之美。这类作品包含丰富的能量,可阐释性强,给读者快适、美、善三种不同层次的阅读感受,其思想价值、知识创新、艺术表现的高度原创具有不可复制性。
Due to the differentiation of writing content and the need to divide target readers, contemporary Chinese long novels inevitably become categorized writing with the same literary elements and consistent narrative model. However, literary progress usually starts with non-categorized writing. The recently published long novels-Flourishing Blossoms, Prodigal by the Wuchou River: Eight Years and At the Southwest have created engrossing beauty of abundance with plentiful texture, diverse and complex character portraits, nourishing views of life, ample intellectual innovation and rich artistic expression. Full of energy and highly interpretable, such novels provides three levels of reading experience, i.e., comfort, beauty and kindness. Their ideological value, intellectual innovation and artistic expression are highly original and non-duplicated.
出处
《中国社会科学院研究生院学报》
CSSCI
北大核心
2021年第4期87-97,共11页
Journal of Graduate School of Chinese Academy of Social Sciences
关键词
丰赡之美
反类型化
长篇小说
the beauty of abundance
non-categorization
long novel
