摘要
戏剧表演方式的多样化促成了表演训练方法的思维革新。以“斯坦尼斯拉夫斯基”表演体系为基础,借鉴“铃木忠志身体训练法”,有意识地选择表演训练中的重点内容,对演员存在的突出问题深入分析,总结出关于“反应与刺激”“控制与平衡”“再现与表现”的“三元”理论,试图探索当代戏剧表演训练方法的更多可能性。
The diversity of drama performance mode promotes the thinking innovation of performance training method.Based on Stanislavsky′s performance system and Suzuki′s body training method,this paper consciously chooses the key contents of performance training,deeply analyzes the outstanding problems of actors,sums up"Ternary"theory of"reaction and stimulation","control and balance"and"representation and performance",and tries to explore more possibilities of the training methods of contemporary drama performance.
作者
杨超
YANG Chao(Department of Drama,Film and Television,Anhui University of Arts,Hefei 230012,China)
出处
《宿州学院学报》
2021年第10期63-67,共5页
Journal of Suzhou University
基金
安徽省教育厅高校优秀人才支持计划项目(gxyq2020201)。
关键词
反应与刺激
控制与平衡
再现与表现
“斯氏”表演体系
铃木训练法
Reaction and stimulation
Control and balance
Representation and performance
Stanislavsky′s perfor-mance system
Suzuki training method
