摘要
尽管毕飞宇的文学批评是一个尚未完成的建构,但基于已有的批评实践,其内部的复杂性已具备问题化的可能。文本细读是毕飞宇文学批评的出发点,可分解为"辩字""述势""对释""评价"四个步骤。理论在毕飞宇的文学批评中扮演着他者的角色,"代入"的理论成为穿透文本文化意义的"有力一击",但是所有的"前奏"与"铺垫",都是在文本写作构境的解读基础上完成的。毕飞宇的文学批评彰显了"细读"与"理论"对话的可能性,这启示我们既不能局限在"只有文学的文学批评",也不能跨越到"没有文学的文学批评",以兼收并蓄的开放姿态建构一种对话性的文学批评范式,这应当成为当代中国文学批评的努力方向之一。
Close reading of the text is the starting point of Bi Feiyu’s literary criticism,which can be divided into four steps:"distinguishing characters","stating trends","commenting on interpretation"and"evaluating".Theory plays the role of the other in Bi Feiyu’s literary criticism,and the theory of"substitution"has become a"powerful blow"to penetrate the cultural significance of the text,but all the"prelude"and"preparation"are completed on the basis of the interpretation of the text writing environment.Bi Feiyu’s methodology of literary criticism shows the possibility of the dialogue between"close reading"and"theory",telling us neither to be limited to"literary criticism with only literature",nor to cross over to"literary criticism without literature",so as to construct a dialogic literary criticism paradigm with an inclusive and open attitude,which should be one of the efforts of contemporary Chinese literary criticism.
出处
《上海文化》
CSSCI
2021年第10期64-72,共9页
Shanghai Culture
基金
国家社科基金重大项目“20世纪西方文论中的中国问题”(项目号:16ZDA194)的阶段性成果。
