摘要
在山东西南部一带,曾经有大量民间自发性的年画作坊存在,清末民国时期,该地年画制作进入高峰,尤以戏曲题材为重。这些戏曲图像具有典型的地域性、功能性、叙事性特征,刻制精巧、构图多样,对色彩与造型的把控也颇具特色。本文通过为期三年的田野考察,深入挖掘了该地各类别及功能的戏曲年画图像,并在对图像风格进行立体阐释的基础上,力图还原其在地方生活中的重要作用与文化意义。
There used to be a large number of folk spontaneous New Year painting workshops in southwestern Shandong.During the period of the late Qing Dynasty and the Republic of China,the production of New Year paintings in this area reached a peak,especially the theme of opera.These opera images have typical regional,functional,and narrative features.They are exquisitely carved,diverse in composition,and the control of colors and shapes is also quite distinctive.Through a three-year field study,this article has thoroughly excavated the images of various types and functions of the local opera New Year paintings,and will try to restore its important role and cultural significance in local life on the basis of a three-dimensional interpretation of its image style.
出处
《艺术设计研究》
CSSCI
2021年第5期78-83,共6页
Art & Design Research
基金
2021年度江苏省高校哲学社会科学研究项目“中国戏曲年画史料的搜集、整理与图像研究”(项目编号:2021SJA1067)
2021年度江苏省社科应用研究精品工程课题“17世纪以来桃花坞年画中的江南世俗生活空间变迁研究”(项目编号:21SYC-138)
江苏师范大学人文社会科学研究基金项目“民间文化传播视野下的鲁西南戏曲年画研究”(项目编号:20XFRX004)的阶段性成果。
关键词
清末民初
鲁西南
戏曲年画
图像阐释
late Qing Dynasty and early Republic of China
Southwestern Shandong
new year pictures of opera
image interpretation
