摘要
加拿大籍导演丹尼斯·维伦纽瓦因其执导的《降临》《银翼杀手2049》等作品而享誉影坛。通过对《焦土之城》《银翼杀手2049》《边境杀手》《降临》《囚徒》等电影作品的分析,阐述了维伦纽瓦在结构、节奏及台词方面对电影剧本剧情的超强把控能力,以及在镜头运用、色彩及配乐方面娴熟的电影语言表达技巧,指出维伦纽瓦电影作品能够给人带来存在主义及自我救赎等深刻的哲学思考与体验。
Canadian director Dennis Villeneuve is well-known in the film industry for his works such as "Arrival" and "Blade Runner 2049". Through the analysis of "Incendies", "Blade Runner 2049", "Sicario", "Arrival" and "Prisoner" and other film works, Villeneuve’s amazing abilities on the plot of the movie script in terms of structure,control of rhythm and lines are revealed. As well as the proficient film language expression skills in lens use, color and soundtrack pointed out that Villeneuve’s film works can bring deep philosophical thinking and experience such as existentialism and self-salvation.
作者
栾乔森
LUAN Qiao-sen(Shannon Business School,Cape Breton University,Nova Scotia Province B1M1A2,Canada)
出处
《沈阳工程学院学报(社会科学版)》
2021年第3期84-89,124,共7页
Journal of Shenyang Institute of Engineering:Social Science