摘要
“做印法”为篆刻艺术中一项重要的艺术手法。目前关于“做印法”的研究成果较少,且不够系统。古人“做印法”多追求古意,以“古朴”为美。明清之前,“做印法”多从制作工艺如何做旧入手。明清之后,“做印法”多借鉴刀法,这与体现残破古拙有关。今人“做印法”则因为展览效果之需要,在追求古意的基础上,更多地展现视觉冲击力。“做印法”作为篆刻艺术实践中最后一道工序,不仅是对章法、篆法、刀法等艺术手法的补充与调整,更是对中国传统文化古朴审美意趣的传承。
Zuoyin-skill is an important artistic technique in the art of seal cutting.However,the research on Zuoyin-skill is few and not systematic enough at present.The ancient Zuoyin-skill mostly pursued the ancient style and taste,which is“simple”and took“simplicity”as beauty.Before the Ming and Qing Dynasties,the Zuoyin-skill focused on the production process of how to make old.After the Ming and Qing Dynasties,the Zuoyin-skill drew lessons from the knife method,which is related to its emphasis on embodying brokenness and ancient clumsiness.Considering the needs of the exhibition effect,the current Zuoyin-skill not only pursues the ancient style and taste,but also displays more visual impact.As the last process of seal cutting art practice,Zuoyin-skill is not only the supplement and adjustment of artistic techniques such as the art of composition,calligraphy,and carving,but also the inheritance of the primitive aesthetic interest of Chinese traditional culture.
作者
张永红
ZHANG Yong-hong(College of Fine Arts,Baoji University of Arts and Sciences,Baoji 721013,Shaanxi)
出处
《宝鸡文理学院学报（社会科学版）》
2021年第5期131-136,共6页
Journal of Baoji University of Arts and Sciences：Social Science Edition
关键词
做印法
章法
刀法
篆法
关系
Zuoyin-skill
the art of composition
carving
calligraphy
relationship
