摘要
《前海》是作曲家周湘林2020年为深圳特区的前海专门创作的单乐章交响乐,音乐以富于穿透力的音响和磅礴的气势展现了深圳的速度和力量。作曲家在作品中不仅注重对音色、演奏技术的扩宽,同时也重视传达的准确和自然,致力于寻找最恰当的文化与情感表达。作品将几个形象鲜明的广东特色主题充分变形、延伸,与新创作主题有机地组合、互动,塑造出新颖独特又清晰可感的城市味道,独奏乐器自行生成的音响动能、各乐器组内部音响空间的精心布局与透视性立体式的全奏音响的生动矗立,也体现了作曲家交响思维与戏剧思维并存的音响创作观。
Qianhai is a single-movement symphony composed by Zhou Xianglin in 2020,specifically for Qianhai area in Shenzhen.The penetrating acoustic and majestic music sound present the speed and power of Shenzhen.Zhou focuses not only on the expansion of timbre and composition techniques,but also on the accuracy and unhindered delivery.He is committed to finding the most appropriate approach for the cultural and emotional expression.The composition fully deforms and extends several distinctive Guangdong themes,in addition to organically combining and interacting with the newly composed themes to create a new,unique and clearly perceptible taste of the city.The acoustic dynamics of the solo instruments,the acoustic space within each instrument group and the stereoscopic soundscape reflect the composer\s symphonic and theatrical ideology.
出处
《音乐文化研究》
2021年第3期60-75,共16页
Music Culture Studies
基金
2021安徽省留学回国人员创新重点项目阶段性成果(项目编号:2021LCX008)。
关键词
前海
周湘林
交响思维
音响力场
Qianhai
Zhou Xianglin
symphonic thinking
acoustic force
