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美感与情感的微妙交融——论庞德《少女》中的意象主义表现

The Subtle Blending of Aesthetic Feeling and Emotion:An Analysis of Pound's Imagism in A Girl
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摘要 直接处理、语言精练、韵律自然是意象派诗歌的三大美学原则,再加上其典型的艺术特征,进一步完善了意象主义理论。从庞德的代表作《少女》入手,通过分析诗歌中的不同意象,考察庞德是如何运用意象主义理论提升诗歌美感和表达情感的。正是这三大美学原则与艺术特征在诗歌中的碰撞交融,使得意象派诗歌能够形成其特有的风格以及带给读者新颖的审美体验,最终在20世纪欧美诗坛上异军突起,从而为美国诗歌的发展开创了现代化的新道路。 Being the three aesthetic principles of imagist poetry,direct processing,concise language and natural rhythm with the typical artistic features further improve the theory of Imagism.This paper attempts,from analyzing the different imageries in A Girl,to explore how Pound enhances the beauty of the poetry and expresses emotions based on imagism.It is the collision and blend of these three aesthetic principles and artistic features in poetry that the imagist poetry evolves its unique style and brings novel aesthetic experience to readers,and consequently stands out in the poem arena in Europe and America in the last century,creating a new way of modernization for the development of American poetry.
作者 肖丽 XIAO Li(School of Foreign Languages, Guizhou Normal University, Guiyang, Guizhou 550025)
出处 《绵阳师范学院学报》 2021年第10期151-155,共5页 Journal of Mianyang Teachers' College
关键词 意象主义理论 《少女》 庞德 审美体验 Imagism A Girl Pound aesthetic experience
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