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博物馆“情景化”:理念、影像与未来 被引量:7

Scene Creating in Museums: the Concept, the Image and the Future
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摘要 博物馆是文化机构,代表着一个国家、城市、社会发展和文明发展的程度,是城市乃至国家的文化符号,也是文化信息传播的媒介平台和沟通渠道。在虚拟现实、人工智能、器物仿真等先进科技层层迭起之时,如何使博物馆将更多有效信息传递给受众且获得良好的传播效果,是值得持续研究探索的议题。城市景观与电影叙事之间是相互作用、相互影响的,影像素材对于社会空间的刻画和想象,常常成为现实物理空间中实物的未来发展方向。文章聚焦于深嵌技术与社会环境变革中的博物馆场域,梳理相关"情景化"理论的同时,也结合影像文本进行路径和策略分析,为博物馆情景化的思想观念和未来发展趋势提供参考。 The museum is the cultural institution that presents the civilization of a nation, or a city, or the society. It is the cultural symbol of a city or even the nation, the platform and channel of cultural information communication. As the advanced technology such as visual reality, artificial intelligence, and artifact simulation emerged continuously, continuous research was worthy to be done on how to transfer more information to the audience and achieve a better communication result. The city view and the movie narrative interacted with each other. The depiction and imagination of the society in video materials were always become the future trends of development of the real physical world. The essay focused on the field domain of the museum embedded in the technological and social environmental changes. While sorting out the theory of "scene creating", collaborating with the path and strategy analysis of the video image and text, provided reference to the concept and trend of development towards the museum scene creation.
作者 王蕾 Wang Lei
出处 《中国博物馆》 北大核心 2021年第3期39-43,142,共6页 Chinese Museum
基金 2018年度教育部人文社会科学青年项目“博物馆情境化以及传播效能研究”(项目编号:18YJC0030)的研究成果。
关键词 博物馆 情景化 智能媒体 空间叙事 影像传播 Museum Scene creating Intelligent media Space narrative Video image communication
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