摘要
民族影像叙事的同体生成作为传承中华优秀传统文化以及铸牢中华民族共同体意识的重要组成,其生成创序路径通过系列化的生态媒介场域下的影像元素塑形、田野身体与他性之物的影像构式、影像情势叙述中的同体生成构境,由构素、构式、构境理论/实践多重驱动,最终完成了人、物、像具有叙事性、完整性、艺术性的影像文本,亦成为实在界、想象界、象征界三界主体思维游牧指涉、交互编码、有机具象,生成现实摹本映射的动态思维创序路径。
As an important part of inheriting Chinese excellent traditional culture and forging the consciousness of Chinese national community, the generation and creation path of national image narrative is formed through the shaping of image elements, the image structure of field body and other things, and the isomorphic generation structure in image situation narrative. Finally, it shapes the image text of people, things and images with narrative, integrity and artistry. And it has also become a dynamic thinking order creation path of nomadic reference, interactive coding and organic embodiment of the subject thinking in the three realms of reality, imagination and symbol, so as to generate the mapping of realistic copies.
作者
颜亮
张玉田
Yan Liang;Zhang Yutian
出处
《电影艺术》
CSSCI
北大核心
2021年第5期46-53,共8页
Film Art
基金
西藏大学珠峰学科建设计划(一期)资助阶段性成果
中央支持地方高校专项高层次人才引进项目(批准号:藏财预指[2020]1号—20)阶段性成果。
关键词
民族影像
自然媒介
影像构式
四度自然
national image
natural media
image structure
four degrees of nature
