摘要
传统刺绣作为一门艺术的发展之路曲折漫长,由于天然的物质性使刺绣更多倾向于功能性发展,刺绣群体的女性定位亦使得其在特定历史时期内产生社会性局限,刺绣自身实用性与审美性的辩证关系又不可避免地分散了刺绣艺术发展的主导力量,使其作为审美对象的研究比较滞缓。在当前社会之下,传统刺绣作为非物质文化遗产受到广泛关注,但传统刺绣的诸多实用功能已经随着特定历史时期的消散而消弭,当代人更加关注的是刺绣作为艺术的装饰性和欣赏性,对于传统刺绣的新发展与新气象,我们应该从历史中溯源求新,更应该遵循刺绣艺术的自身发展规律进行改革,使其能够更加适应社会的演变,从而在历久弥新、去粗取精之中得到更为完善的发展。
The development of traditional embroidery as an art is tortuous and long. Due to its natural materiality, embroidery tends to be more functional. The female orientation of embroidery group also causes its social limitations in a specific historical period. The dialectical relationship between the practicability and aesthetics of embroidery inevitably disperses the leading force in the development of embroidery art. In the current society, traditional embroidery as a non-material cultural heritage has been widely concerned, but many practical functions of traditional embroidery have been eliminated with the disappearance of a specific historical period. Contemporary people pay more attention to the decoration and appreciation of embroidery as an art. For the new development and new atmosphere of traditional embroidery, we should trace back to the source of history and follow the embroidery law of art’s own development should be reformed to make it more adaptable to the evolution of the society, so that it can get a more perfect development in the long-term innovation and refining.
作者
邓茗予
DENG Mingyu(School of Fashion Media,Jiangxi Institute of Fashion Technology,Nanchang,Jiangxi,330000)
出处
《艺术生活》
2021年第2期70-74,共5页
Art & Life
关键词
中国传统刺绣
艺术价值
物质性
审美性
Chinese traditional embroidery
artistic value
materiality
aesthetics
