摘要
发表于《收获》杂志2020年第2期的《她们》是一部非虚构的纪实文学作品。阎连科借用《她们》回望身边女性的一生,由此窥见时代女性群像,讲述以“她们”为代表的乡村女性的生存困境与命运桎梏。他以乡村为原点,描摹、观照并展现出中国乡村女性的生存本相,并以“第三性”为题提出对乡村女性身份意识及命运的再思考,试图为现代乡村女性寻找出路。这不仅是一部关于“她们”的回忆录,还是一曲关于乡村女性的生命悲歌。
They,published in Harvest Magazine,No.2,2020,is a non-fiction work of documentary literature.Yan Lianke looks back at the lives of the women around him,thus he has a glimpse of the group portraits of the women of his time,and tells the story of the plight of the rural women represented by"them"and the shackles of their fate.Taking the countryside as the origin,he describes,observes and shows the living reality of Chinese rural women,and with the title of"the third sex"puts forward the rethinking of rural women's identity consciousness and fate,trying to find a way out for modern rural women.This is not only a memoir about"them",but also a tragic song about the lives of rural women.
作者
吴静
WU Jing(School of Literature,Anhui University,Hefei 220039,China)
出处
《西安航空学院学报》
2021年第4期16-20,31,共6页
Journal of Xi’an Aeronautical Institute
