摘要
梁代以降,描绘女子容色的一类诗作多被称为宫体诗或艳诗,其创作源于男性诗人对异性的观赏与描绘。时至晚明,女性诗人也开始关注这类题材,其内容主要包含对女子妆容、装饰、身体部位的刻画,并多使用一些美女的典故,显示出对前者写作传统的接受。此类诗作的出现既是晚明女性诗歌书写空间拓展的表现,也与此时女性价值观的转变相关。女性诗歌在明中叶以降的兴起,本于男性编辑者的整理与提倡,相关研究尤应注意两种性别在文学内部及外部的交流互动,也应考虑女性诗人为这类传统题材赋予新意义的可能,对该问题的探讨应将其置于性别与题材、传统与新变等多重要素构成合力的状态下进行判断。
The poems describing women*s appearance since the Liang Dynasty are called gong-ti poems or amorous poems,the creation was based on the appreciation and description of women by male poets.In the late Ming Dynasty,female poets began to deal with this kind of subject matter,its contents mainly include the depiction of women's makeup,decoration,body parts,and the allusions of beautiful women,which shows the acceptance of the former writing tradition.The emergence of these poems shows the expansion of writing space of female poems in the late Ming Dynasty,and is also related to the change of female values at this time.The rise of female poems since the middle of Ming Dynasty was mostly due to the arrangement and pro motion of the male editors,so we should pay more attention to the interaction between the two genders inside and outside the text,we should also consider the possibility that female poets can give new significance to this kind of traditional theme.The discussion on this issue needs to be judged under the combined force of multiple elements such as gender and subject matter,tradition and innovation.
作者
熊啸
XIONG Xiao(College of Humanities,Zhejiang University of Finance and Economics,Hangzhou 310018,China)
出处
《聊城大学学报（社会科学版）》
2021年第5期23-29,共7页
Journal of Liaocheng University:Social Science Edition
基金
浙江省教育厅一般项目(Y201942638):崇情话语体系下的晚明女性诗歌研究
浙江省高校重大人文社科攻关计划资助项目(2021QN039):中国古代女性文学的艳体化批评与阐释语境研究。
关键词
晚明
女性诗歌
新变
性别
题材
the late Ming Dynasty
female poems
innovation
gender
subject
