摘要
建筑形态的迂回多歧与神话传说的丰厚语义,共同成就了"迷宫"历久弥新的文学表述能力。20世纪以降,作为人类命运同义词的"迷宫"在文学领域受到空前青睐,并实现了从神话故事素材与地志性文本意象到叙事话语策略的功能延展。迷宫叙事策略在本质上要求一种空间结构与语言结构间的抽象类比思维,体现了文本结构对于迷宫建筑构造与行走体验的多元化仿拟,表现为分岔、死胡同、折返、兜圈子等多种叙事情境。后设性迷宫叙事从语言内部的去稳定性技术出发,诠释了以差异消解同一、否定中心与出路、以无序启发秩序的创作思想,是后现代不确定性表述在文学领域的重要实现方式。
The circuitous multipath of architectural form and the rich mythological semantics together contribute to the enduring literary expression ability of labyrinth. Since the 20 th century, labyrinth, paralleled with human destiny, has received unprecedented favor in the field of literature, and has extended its function, from the mythological story material and the geographical textual images to the narrative discourse strategy. Requiring an abstract analogy between spatial structure and language structure, the labyrinth narrative strategy refers to the multiple imitation of the architectural structure and the mode of movement in the labyrinth, which is manifested in a variety of narrative forms such as forking paths, dead end, backtracking and circle. Based on the destabilization technology within the language, the post-set labyrinth narrative interprets the creative ideas of dispelling sameness by difference, negating center and way-out, and enlightening order by disorder. Therefore, it constitutes an important way to realize the postmodern uncertainty in the field of literature.
作者
高文婧
Gao Wenjing(School of Western Languages,Harbin Normal University,Harbin,Heilongjiang Province,China)
出处
《外国文学》
CSSCI
北大核心
2021年第5期115-125,共11页
Foreign Literature
基金
黑龙江省哲学社会科学研究规划项目“帕特里克·莫迪亚诺小说的空间研究”(18WWC243)。
关键词
迷宫
神话
文学想象
迷宫叙事
不确定性
labyrinth
myth
literary imagination
labyrinth narrative
uncertainty
