摘要
《八百壮士》是我国电影史上一部重要的抗战类型电影,从1938年首次公映至今已出现3部电影的演绎。3部影片虽选自同一历史题材,但叙事方式和影像风格差异显著。通过分析3部电影在社会语境和消费实践层面的差异原因,探索抗战类型电影在新时代语境下的发展之路。
Eight Hundred Heroes is an important Anti-Japanese War type movie in China's film history.Since the first public screening in 1938,there have been three companion films.The three films are selected from the same historical theme,but there are significant differences in narrative style and image style.This thesis analyzes the reasons for the differences between the three films in social context and consumption practice,and explores the way of the long-term survival of Anti-Japanese War films in the context of the new era.
作者
董亭亭
DONG Tingting(School of Liberal Art, Guizhou Normal University, Guiyang 550025, China)
出处
《镇江高专学报》
2021年第4期89-91,94,共4页
Journal of Zhenjiang College
关键词
叙事文本
社会语境
审美消费
《八百壮士》
《八佰》
narrative text
social context
aesthetic consumption
Eight Hundred Heroes
Eight Hundred
