摘要
阿库乌雾的动物意象叙事以现代性审美对传统文化意象进行转译和重铸,让传统谱系的文化符号从意指单薄的传统原型意象转向现代流动多变“镜像”,对族群历史记忆(传统遗产)和现实个体遭遇(都市生存)进行了多重的投射,实现了传统审美符号与现代经验情境彼此激发的能动关系。这种意象策略实现了少数民族文学传统意象由抒情性转向叙事性的现代性变革,也对少数民族文学的都市写作提供了诸多可供借鉴的范式。
Aku Wuwu′s narration of animal image translates and recasts the traditional cultural image with modern aesthetics,which makes the cultural symbols of traditional pedigree change from the dry traditional prototype image to the modern multidimensional and changeable"mirror image",and projects the historical memory(traditional heritage)of ethnic groups and the experience of real individuals(urban survival)in multiple ways,realizing a mutual-inspiring interaction between traditional aesthetic symbols and modern experimental situations.This kind of image strategy realizes the transformation of the traditional image in minority literature from lyricism to narrative modernity,and also provides many models for the urban writing of minority literature.
作者
孙阿木
SUN Amu(Southwest Minzu University,Chengdu,Sichuan 610000,China)
出处
《西昌学院学报（社会科学版）》
2021年第3期86-92,共7页
Journal of Xichang University：Social Science Edition
关键词
阿库乌雾
动物意象
混血时代
Aku Wuwu
animal imagery
the mixed-blood era
