摘要
《上海女孩》“兜圈画圆”的叙事策略,艺术地创生了个“圆圈意象”。这一隐喻式的“哲学意象”和“活生生的形式”勾联起两个跨疆越界的时空,构建了一明一暗两条叙事主线,并渲染了作品悲剧的气氛,奠定了小说的悲情基调,为推动情节发展提供了源源不断的叙事动力,从而成功表现了小说人物情感与命运悲剧的无情“轮回”和深重灾难,充分彰显了悲剧小说的艺术魅力。
The narrative strategy of“drawing circles in circles”in Shanghai Girl artistically creates a“circle image”.Such a metaphorically“philosophical image”and“living form”connects two cross-boundary time and space and constructs two main narrative lines,one visible and the other hidden.It renders the tragic atmosphere,establishes the tragic tone of the novel,and provides an endless narrative impetus for the plot development and tragic action,thus successfully shows the characters’emotion and the merciless“cycle”and deep disaster of fated tragedy and fully demonstrates the artistic charm of tragic novels.
作者
刘姗姗
LIU Shanshan(Foreign Language Institute,Fujian Business University,Fuzhou,China 350012)
出处
《温州大学学报（社会科学版）》
2021年第4期85-90,共6页
Journal of Wenzhou University：Social Science Edition
基金
福建省教育科学“十三五”规划项目(FJJKCGZ18-81)。
