摘要
对外美术交流活动,一直是新中国美术事业的重要组成部分。1949年至1966年的“十七年”间,许多外国美术家借访华机会创作反映新中国自然地貌、古建名迹、民众生活、社会主义建设场景的图像,以独特的视角表现传统与现代交织碰撞的新中国。通过对作品主题的分类和梳理,以图像分析的方式系统地呈现域外画家对新中国形象的描摹,不仅是对这一段美术史的完善,更有助于理解这一时期新中国美术演进的外因逻辑。
International art exchanges have always been an important part in fine arts of new China.During“Seventeen Years”from 1949 to 1966,many foreign artists took the opportunity of visiting China to create images reflecting natural landscapes,famous ancient buildings,people's lives and socialist construction scenes of new China intertwined with tradition and modernity from a unique perspective.By classifying and combing themes of these works,this essay demonstrates how foreign artists depicted the image of new China systematically with image analysis that is not only to improve the art history,but also to help understand the external logic in the evolution of arts in this period.
作者
黄合欢
HUANG Hehuan(School of Fine Arts,Southwest University,Chongqing 400715,China;School of Fine Art and Design,Guizhou Normal University,Guiyang,Guizhou 550018,China)
出处
《贵州大学学报（艺术版）》
2021年第5期25-32,共8页
Journal of Guizhou University Art Edition
关键词
“十七年”
美术表现
对外交流
国家形象
“Seventeen Years”
artistic representation
international exchange
national image
