摘要
中国古典园林是中国山水画在三维空间里的立体呈现,它是中国传统文化"物化"的一种产物。园林中每一件物体的存在和放置是实在的,是观者对空间的可见的把握。但是,园林意境仅仅靠"实"是实现不了的,追求虚境美成为园林迥异于其他艺术形式的一个重要方面。中国古典园林使观者通过"游"的方式所进入的虚境,实现了时间空间化,把展现时间的动态过程凝结在空间中;更实现了空间时间化,在空间的静态形式中体悟时间的节奏。虚境超越了视觉实体的有限性,将现实的时空与心理的时空融为一体,并更多地通过纵向的时间维度来实现对园林的审美。
As a three-dimensional representation of Chinese landscape paintings,the Chinese classical garden is a product of the materialization of Chinese traditional culture.The existence and placement of every object in the gardens is real,which represents the viewer*s visible grasp of the space.However,the artistic conception of Chinese classical gardens is far beyond this reality and the pursuit of imagery beauty is a significant aspect that distinct Chinese classical gardens from other artistic forms.Viewers enter a realm of artistic imagery through the tour in these classical gardens,which realizes the spatialization of time,making the dynamic temporal process condensed in space;moreover,it effectuates the temporization of space,understanding the rhythm of time in the static form of space.The imagery transcends the limit of visual entity,combines the real time and space with the psychological ones,and achieves the aesthetic appreciation of gardens through the vertical time dimension.
作者
黄滟
Huang Yan(College of Horticulture&Forestry Sciences of Huazhong Agricultural University,Wuhan 430070,China)
基金
中央高校基本科研业务费项目项目编号:2662020YLPY015。
关键词
中国古典园林
虚境
时间
空间
Chinese classical garden
artistic imagery
time
space
