摘要
朝鲜朝仁祖以后汉诗新变的原由除了对仁祖前后宗唐诗派出现的弊端之反思,还归因于诗评家对宣祖期间辞章派的萎缩与道学派的壮大而导致汉诗创作衰退的关注和思考,中国明清诗坛的宗唐风尚也是重要的外部推力。朝鲜朝仁祖至景宗时期宗唐诗风的具体呈现主要在于以金昌协、洪世泰等为代表的士大夫诗人群、委巷诗人群以唐诗为宗、注重“性情之真”“天机之发”的诗学观。与之相应,此时士大夫诗人群的“性情之真”说剥离了朱熹“心统性情”说的道德与理性因素,尤为强调自我与真情实感的抒发;而一生贫贱的委巷诗人群则有意在汉诗中凸显自己不为名利所累的豁达,且形成了不事雕琢、自然天成的诗风。
Since the Renzu Period in Joseon Dynasty,the new change of Chinese poetry creation was not only attributed to the introspection upon the disadvantages of the school of Tang poetic features before and after the Renzu Period but also to the attention and thoughts of the decline of Chinese poetry creation in the Xuanzu Period due to the shrinking of Poetry and Prose School(Ci Zhang Pai in Chinese Pinyin)and the flourishing of Neo-Confucianism School(Dao Xue Pai in Chinese Pinyin).Besides,advocating the styles and features of the Tang poetry in the Ming and Qing dynasties was also the vital external driving force.The concrete presentation of advocating the styles and features of the Tang poetry from Renzu Period to Jingzong Period in Joseon Dynasty was mainly found in the poetic views of“Truth of Temperament”and“Tian Ji Zhi Fa”,advocated by the scholar-bureaucrat poets and middle-class poets,with two chief representatives Jin Changxie and Hong Shitai.Accordingly,the poetic views of“the Truth of Temperament”of the scholar-bureaucrat poets stripped the elements of ethics and rationality in Zhu Xi’s“Mind Dominated by Temperament”and lay special stress on the expression of true feelings while the poor and middle-class poets in their Chinese poems intentionally highlighted their open-mindedness,not affected by fame and wealth and accordingly formed a natural poetic style without any carvings.
作者
杨会敏
YANG Hui-min(Department of Chinese language and literature, Suqian College, Suqian 223800, China)
出处
《唐都学刊》
2021年第5期65-71,共7页
Tangdu Journal
基金
江苏高校哲学社会科学研究项目:“唐宋诗之争在古代朝鲜半岛流变研究”(2019SJA2012)
国家社会科学基金项目:“唐诗古代朝鲜半岛的传播与影响研究”(17XZW012)。
关键词
朝鲜朝
仁祖至景宗时期
士大夫诗人群
委巷诗人群
宗唐诗风
Joseon Dynasty
Renzu Period to Jingzong Period
scholar-bureaucrat poets
middle-class poets
advocating the styles and features of the Tang poetry
