摘要
近年,一批以广东为背景的大众文化作品涌现,网络剧《隐秘的角落》、“五条人”音乐、电影《风中有朵雨做的云》是其中的典型代表。三个文本中的空间形塑,及其与现实空间构成的对话张力是值得探讨的议题。《隐秘的角落》的弃子主题与取景地湛江的处境相互呼应,突显了废墟空间隐匿的暴力与危机。出身海丰县城的乐队“五条人”观照社会底层,形成一种混杂着乡土性和世界性的民间书写。《风中有朵雨做的云》以广州城中村冼村为现实原型,以黑色电影为风格依托,探究历史记忆的幽深暗面。相较于二十世纪八九十年代广东大众文化中洋溢的现代性热望,这些文本以边缘性的空间形构共同表达出对于现代性的质询和反思。
In recent years,a number of popular cultural works with Guangdong as the background have emerged.The internet drama Cat′s Cradle,the music of Wu Tiao Ren,and the movie The Shadow Play are typical representatives.The spatial structure in the three works and the dialogue tension they constructed between the real space are topics worthy of discussion.The theme of abandoned children in Cat′s Cradle echoes the situation in Zhanjiang,where the web movie was made,highlighting the hidden violence and crisis in the ruined space.The band Wu Tiao Ren,born in Haifeng County,observes the bottom of the society,forming a folk style with a mixture of local and cosmopolitan characteristics.The Shadow Play takes Xian Cun,an urban village in Guangzhou,as its realistic prototype,and uses film noir as its style to explore the deep and dark side of historical memories.Compared with the enthusiasm for modernity in Guangdong′s popular culture in the 1980s and 1990s,these texts collectively express inquiries and reflections on modernity in a marginal spatial structure.
作者
霍胜侠
HUO Shengxia(School of Transmedia,Guangzhou Academy of Fine Arts,Guangzhou,Guangdong 510006,China)
出处
《广州大学学报（社会科学版）》
CSSCI
2021年第5期99-108,共10页
Journal of Guangzhou University:Social Science Edition
基金
国家社会科学基金青年项目(18CZW043)。
关键词
大众文化
广东
空间
现代性
popular culture
Guangdong
space
modernity
