摘要
20世纪90年代,倾心于“非遗保护”工作的冯骥才,其文学创作亦随之发生转向——从专注小说到盛产文化游记。他的文化游记强调文化的价值与功能,重视文化对全社会的教育意义、审美意义和警示意义,同时在叙事艺术上也体现出鲜明的“冯氏风格”。一方面,通过以“行动带动写作”的考察式写作,彰显文化自觉的文体转向与选材取向,立足“田野现场”“写文化”,具有记录、描述和传播文化的“民族志”价值;另一方面,擅长以理性与激情交织的话语风格,呈现当代知识分子的文化良心,注重文化思辨的理性发现和精神营养,并以开放包容的人类意识建构“美美与共”的文化境界。
In the 1990s,Feng Gicai,who devoted himself to the protection of NRMs,made a shift in his literary creation-from focusing on novels to producing cultural travelogues.His cultural travelogues emphasize the value and function of culture,the educational,aesthetic and warning significance of culture to the whole society,and also re⁃flect the distinctive“Feng’s style”in the narrative art.On the one hand,through the“action-driven writing”style of investigative writing,the cultural consciousness of the genre and selection of materials is manifested,based on the“field site”“writing culture”,with the“national”style of recording,describing and spreading culture.On the other hand,he is good at presenting the cultural conscience of contemporary intellectuals with a discourse style of interweav⁃ing rationality and passion,focusing on the rational discovery and spiritual nutrition of cultural discernment,and con⁃structing a cultural realm of“beauty and commonality”with an open and inclusive human consciousness.
作者
侯建芳
Hou Jian-fang(College of Chinese Language and Literature,Hexi University;China Non-fiction Writing Research Center,Zhangye Gansu 734000)
出处
《河西学院学报》
2021年第4期80-87,共8页
Journal of Hexi University
关键词
冯骥才
文化游记
叙事艺术
启蒙
民族志
Feng Ji-cai
Cultural Travel
The Narrative Art
Enlightenment
Ethnography
