摘要
18世纪末19世纪初的法国正经历社会的剧变,此时的法国建筑处于从古典到现代的过渡阶段。本文以此时期具有革命性的两位法国建筑师——勒杜、迪朗为代表,从他们设计的两张圆形平面结构为切入点,对两人的设计思想进行比较,试图阐释形体象征与形体效用两种设计思想的特点与形成,揭示从勒杜到迪朗的转变背后是建筑形体从象征外部权威到适用个体需求的转向,也正是现代性的开端。
At the end of 18 th century and the beginning of 19 th century, France was experiencing drastic changes in all sectors of society. At that time, French architecture was in a transitional stage from classical to modern. This paper, represented by referring to two revolutionary French architects of this period, Claude-Nicolas Ledoux and Jean Nicolas Louis Durand, compares their design ideas from the perspective of two circular floor plans they designed, and attempts to explain the characteristics and formation of the two design ideas of formal symbol and formal utility, and points out that the transformation from Ledoux to Durand is the transformation of architectural form from the symbol of external authority to the fitness of individual needs, which is also the beginning of modernity.
作者
刘涟
LIU Lian(Tongji University)
出处
《世界建筑》
2021年第8期90-93,126,共5页
World Architecture
关键词
勒杜
迪朗
象征
效用
现代化
Ledoux
Durand
symbol
utility
modernity
