摘要
明代中后期,我国的出版事业迎来了黄金时代,出版物插图也遇到了发展的良机,乃至出现了"无书不图""人争宝之"的盛况。经过复杂而多元的嬗变后,插图的艺术独立性显著增强,艺术价值发生质变,在我国出版史上留下了浓墨重彩的一笔。其从书籍的从属地位,逐渐成为影响出版物传播的重要因素。文章试图通过探究明代中后期出版物插图的嬗变,进一步观察其与出版物传播的关系。
In the Middle and Late Ming Dynasty,publishing industry ushered its golden age in our country,and illustrations also had a good opportunity for development,which led to the prosperity of illustrated books portrayed as "sans illustrations;sans books" and "the favorites of the public".Through complex and diverse transoformation,artistic independence of illustrations had been improved significantly and artistic value had a qualitative change,which wrote a glorious page in the history of publishing.The subordinate position of illustrations gradually turned into the important factor that impacted the diffusion of publications.The paper discusses the transformation of illustrations in publications in the Middle and Late Ming Dynasty,and observes the relationship between illustrations and the diffusion of publications furtherly.
作者
阎文凯
薛勇强
YAN Wen-kai;XUE Yong-qiang(Shanxi Science and Technology Press,Taiyuan 030012,China;Sanjin Publishing House,Taiyuan 030012,China)
出处
《编辑之友》
CSSCI
北大核心
2021年第8期88-93,共6页
Editorial Friend
关键词
明代
出版物插图
嬗变
传播
the Ming Dynasty
illustration of publication
transformation
dissemination
